Minor: +3 & change letter | In Major: -3 & change letter 10B -> 8B or 3A -> 1A should be mixed quickly to avoid key clash and drops the energy alot. The audience know the set is coming to an end.ĬONCLUSION: Down (NOT up) by 2, e.g. Going down 2 semitones (Modulation mixing) (G minor to F minor) – This will drop the energy of the room. It's the same principle as 'Energy Boost++' but instead it will lower the energy. NAME: "Energy Drop" | Going down a Whole Step (2 semitones) Quickly to avoid key clash and boosts the energy alot. Going up 2 semitones (Modulation mixing) (F minor to G minor) – ThisĬall it “hands in the air” mixing or might call it “Energy Boost mixing”.ĬONCLUSION: Up (NOT down) by 2, e.g. NAME: "Energy Boost ++" | Going up a Whole Step (2 semitones) MODULATION MIX - INTRO/OUTRO & QUICK MIX COMPATIBLE 8B -> 9A and sounds really good together. Way to transition between Major and minor scales, since the scales are only different by 1 note, and also sounds really good harmonically.ĬONCLUSION: If in minor, down diagonally, e.g. Playing the subdominant key of the Relative minor Major (C minor to A-flat Major) – is another great RULE: In minor: -1 & change letter | In Major: +1 & 1B -> 12B or 10A -> 9A sounds almost perfectly harmonic and sounds like going deeper in the mix. It won’t raise the energy necessarily but will give your listeners goosebumps!ĭown by 1 in same scale, e.g. Going down a Fifth (F minor to B-flat minor) – This type of mix will take the crowd deeper. 1B -> 2B or 10A -> 11A sounds almost perfectly harmonic and raises energy a bit. Only one note is different between the two scales. Harmonically these two keys are almost perfectly compatible. Moving up a Fifth (F minor to C minor) – This will raise the energy in the room. 8B -> 8A or 9A -> 9B sounds good together and will change the energy. The energy of the room will change dramatically. Relative Major to Relative minor (A-flat Major to F minor) – This combination will likely sound good because the notes of both scales are the same, but the root note is different. 1B ġB or 10A 10A sounds perfectly harmonic. Playing two tracks in the same key will give the effect that the tracks are singing together.ĬONCLUSION: Staying in the same key, e.g. Therefore perfectly compatible harmonically. Staying in the same key (F minor to F minor) – These tracks will both be in the same key and are Those are the ones that DJ Mix Improver support.įor an overview, see Camelot Key Mixing Rules mentioned per source I've compared them and filtered it down to where they reached consensus.Īre based on where they reach consensus in multiple sources. Switch AB on the Camelot keywheel, I've gathered the most interesting sources together. In my hunt to find consensus in what 'rules' apply to harmonic mixing, besides the usual Just use DJ Mix Improver, which will show you these key changes at one glance in the app! Once you’ve done this, you’re ready to quadruple your options when key mixing instantly! The chart to show Traktor notation instead (the principle is the same) ģ. Show existing Mixed In Key information by selecting “Key Text” in your library (if you are a Traktor user who still uses Mixed in Key for key work, you need do no more) Cross dj pro 2.3.5 how to#Understand how the Camelot Wheel works and how to get Camelot Wheel notation to show on your DJ software.Īs far as the latter requirement goes, in VirtualDJ it’s a simple preference change, and in Traktor you’veġ. From there on, use the usual rules to work out the compatible keys for your next mix.Īll you need to do is ensure keylock is on, and make sure you Cross dj pro 2.3.5 software#Traktor or any other DJ software with an equivalent feature. Using this key change wheel, you can instantly look up what key you’re moving a track to,
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